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My desires, when it came to ideal professions, growing up were always fantastical. I assume that when I was young I had mostly typical, grandiose, and romantic ideas that I wouldn't really call "dreams" because I was too young to be aware of that concept. Every young heart is naive and fortunate enough that bloated and cute ambitions are incredibly pure because the gauntlet of reality hasn't set it's jaws in yet. I think in middle school I wanted to be a basketball player (I was too naive to realize the reality of my physical design made that ideal quixotic at best, downright ridiculous at worse. I was short and slow), I also had these ideas to be an architect, which was strange. My abilities in math were average, my ability to conceptualize and be creative weren't overwhelming. Ironically, considering my life now, that is still something I have a hard time with. I resented guidance councilors systematic exercises that were designed to set you on a path which followed your unique personality characteristics and drive all by asking generic, vague questions. By the time I was in college I was presented with a myriad of career paths, ALL of which sparked no desire in me. It's not that I didn't like college, nor was it a case of me being especially lazy, it just came down to the fact that I felt no urge strong enough that led me to pursue anything with passion. Thank God I took part in music, other wise, any profession I would've pursued would've have resulted in me "settling", and maybe I wouldn't have been aware of it at the time. Looking back now, I still have a hard time recognizing anything that really interests me, although there is one thing...how great would it be to be a writer! I spout my own opinions as if they are worth listening to all the time, so isn't writing that same desire manifested in a more dignified approach, which because of the great history of amazing writers, even pop culture writers can exist in this echelon of elevated intellectuals. Although, I shouldn't be blinded by history, there are so many amazing books in antiquity that were satires of their times and immediate surroundings that ended up being timeless. Of course, I am very reluctant to seriously approach the idea because I am cut off at the knees by Dostoevsky, Kundera, and Rand. Is it fear or respect that prohibits me? Or maybe they are excuses all around. Of course, the same question can be asked in relation to music and it's awe inspiring history. There is nothing new under the sun, only new generations. Perhaps the originality doesn't exist in the piece of art itself, but the one who experiences the art.
It's coincidental that while I happen to be reading about rebellion, the Iranian people are engaged in an attempt at, what I understand to be, massive reform. Although, to run for president in Iran, the candidate has to be approved by the Guardian Council, so I'm personally curious as to what change would really unfold if the protesters succeeded, much like people's legitimate concern of validity of Obama's claim for change. I don't know much about Iranian history. For me growing up, Iran's history began in 1978 with the overthrow of the Shah. Although, what replaced the Shah? I read an article by Reese Erlich that included this excerpt.
Every once in a while I'll re-read parts of "The Grand Inquisitor" and remind myself why Dostoevsky is really really really good. If anyone wants to attempt some visual representation, or an image that is inspired by this piece of literature, please do so and send it to me so I can get it tattooed on my arm. Thank you!
When I think of God in a historical context, it is interesting to me that, whether He is referenced as a concept or a physically existing figure, he will always represent something that gives way to so many paradoxes of rebellion. Right now, I'm reading a book called "The Rebel" which, as I said in my last blog, analyzes the concept of rebellion throughout the history of different socio-philosophical movements. What I am beginning to see more and more (which is probably a testament to the counter productive nature of philosophy) is that Christ is used, and even needed, in order to lay out one's ideas. The concept of Christ has so permeated history and culture that he often represents a central totem pole which these sensitive, complex and lost masters of thought dance, tethered in disdain or adoration, around the phenomenal idea of "Christ" which is always present. It's definitely a phenomenon. It's easily understood that Christ is needed to prop up a philosophy which promotes the ideals of his teaching, but I laugh at the fact he is also central to ideas that are trying in vain to eradicate His influence from modern thought. Paradoxically, and frustratingly enough for such authors and thinkers, the idea of Christ is necessary in so many ideas that hope to "enlighten" modern man beyond the chains of "exclusive and oppressive morality" which is based on something which is either "non existent" or "inconsequential". I should be clear, this post is not one which is trying to make an argument for the existence of Christ, it is merely to point out the paradox that finds the Christian God at the root of philosophies which try, not necessarily to prove his non existent, rather to nullify, negate and dismiss, His influence. What a controversial figure, an unmoving abstraction, which even in attempts to destroy God, He is ironically and paradoxically vindicated as a cultural influence and phenomenon so strong that schools of thought are constructed and developed time and time again as a reaction to His "existence". There have been many concepts, political and philosophical, which have given rise to movements that exist in direct reaction, although Christ is different I think, because so many times he is a point of reference in those movements as well. His influence is unmatched, a true phenomenon, which, while He is manipulated, transformed, abused and misappropriated, He remains a cornerstone for understanding. Marx, Kant, Neitzche, Kierkegaard, Plato, Hume, Heidegger, they all existed. God, in addition to being important parts of each of the aforementioned thinkers, has never been proven to exist. That being said, Greek mythology plays a large roll as well...that is so interesting to me. Myth dances in such a controversial and fruitful relationship with factual history and social/political movements. Very intriguing indeed. Christ is justification of everything we know of, He is justification of charity, love, evil, oppression, genocide, murder, racism, and how often He is misunderstood, maybe he has never been understood at all. The fracture in his influence is the same thing which makes Him a phenomenon. The fact that Faith is required is the one thing that leaves that door open for the ugliness of humanity to hi-jack His intent, yet Christ can not exist without Faith. If God was indeed a creation of man, then the man responsible is worthy of intense study and envy in regards to his genius creation and prophetic intuition.
Sitting here with nothing to say after starting to read "The Rebel" is anything but inspiring, so far the book is mostly just a pill for justified indolence, but I'm only a few pages in. So far, it has touched upon the acts of suicide and murder and questioned whether or not those acts can be justified from an "absurdist" prospective, and you will all but happy to know that it is not! Whew!
the advocate of my inner demon is floating around my head during these long drives on crowded interstates. this makes it very hard for me to sleep peacefully, especially when he's saying things like this: